Description: Morgan Genevieve Blue of Feminist Media Studies said the series' primary female characters, Miley and her alter ego Hannah, are positioned as subjects in a way their representation is confined to notions of femininity and consumerism.
Morgan Genevieve Blue of Feminist Media Studies said the series' primary female characters, Miley and her alter ego Hannah, are positioned as subjects in a way their representation is confined to notions of femininity and consumerism.
Reception Critical reception Critics said Hannah Montana helped Disney Channel return to a level of commercial success that had been absent since the 1990s, building on the success of programs such as That's So Raven and Lizzie McGuire.
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This is made evident in the pilot when she fears her friends might not treat her the same way if they become aware of her celebrity status; Miley's friendships and social opportunities at school are important to her.
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